After college? I kept scribbling as I taught piano and guitar lessons to pay the bills, this time jotting character sketches, mannerisms, phrases all inspired by my students. It soon became clear to me that I wanted to write for and about the children and teens who filled my home with music. Even now, as I delight in spreading the news of my publications, I recognize that the steadiest constant in my life has been those illegible margin notes. That blissful inch of space where novels are born and revision plans are hatched, where titles are brainstormed and closing sentences are finalized.
Did the idea for A BLUE SO DARK come to you instantly, or were you thinking about it for a while?
Here’s the idea, in a nutshell: Fifteen-year-old Aura Ambrose struggles to care for her mother Grace, an artist, as Grace sinks into the darkness of schizophrenia. Convinced that creative equals crazy, Aura shuns her own art—painting and writing—and her life unravels in the process…
Really, I remember the idea coming to me in pieces over a few weeks. I’ve always been interested in the arts…I’ve played piano since I was a little girl, guitar since I was a teenager, and I took as many art classes in high school as I did English courses…But I’ve also always been interested in the source of creativity…why are some people ALWAYS coming up with new ideas for songs, or poems, or paintings, and other could stare at a blank canvas for DAYS and never come up with a reason to pick up their brush…
A BLUE SO DARK allowed me to explore the idea that creativity and madness are somehow linked…I mean, so many of our “great” artists have suffered from some sort of mental illness—schizophrenia, or depression, or bipolar disorder…so really, Aura’s fear (that she could perhaps bring mental illness on by exploring creativity) isn’t entirely unfounded…
With the YA book market being so focused on paranormal romance and fantasy novels, were you ever doubtful that A BLUE SO DARK wouldn’t sell well or even be picked up by a publishing house at all?
Literary “trends” are kinda tricky…from a writer’s standpoint, you really can’t go to the bookstore, and examine all the titles and say, “Here’s what publishers want.” Because really, what’s on the shelf today is what publishers decided they wanted eighteen months to about two years ago…that’s how long a book is in development! Plus, a writer has to actually WRITE the novel…AND submit the book…all of this takes an inordinate amount of time…I don’t think it’s out of the ordinary to say it would take maybe a year to write and revise and hone a book, and at minimum a year to find a publisher…
To prove the point of just how much time it takes to go from the initial burst of inspiration to seeing a book on the shelves, I actually drafted A BLUE SO DARK late in 2006…the book went through about four total overhauls and several rounds of submission…and resubmission…I got the offer from Flux in January of 2009…and the book officially releases May 1, 2010!
…So I don’t think you should ever be afraid or doubt yourself because the book you’re working on is unlike the books on the shelves. (There was no WAY for me to know, in 2006, what my novel would eventually be competing against…)
Actually, I think working on a manuscript that’s completely different is probably a good thing (at this point, I would think it’d be kind of difficult to find a way to make vampires seem new or fresh…)
What is it that you want readers of A BLUE SO DARK to take from the story?
Really, I love a book that’s layered—that has multiple themes or meanings. A BLUE SO DARK tackles the mother-daughter relationship, friendship, high school culture…there’s even an art-as-addiction theme…
What I’ve always hoped is that A BLUE SO DARK would be rich enough for readers to take slightly different meanings from it (since they’ll all be reading it through their own eyes, from their own set of unique experiences and perspectives).
So far, I’ve been delighted to find that this really is the case…For example, I recently got a great review from a blogger—very insightful and smart—that commented on how “dark” was a perfect word to use in the title, because the book really IS dark in subject matter and execution. But when Crissa-Jean Chappell (author of TOTAL CONSTANT ORDER) blurbed the book, she used the word “funny” to describe it. Two different perspectives, two slightly different reactions. I think that’s fantastic…
Thanks, Holly Schindler, for taking the time to answer our questions. We can't wait to read A BLUE SO DARK!
Xoxo, Brent & Emily, The Naughty Book Kitties <3





























